Wallpaper At Last!

An epic campaign ended today as the first rolls of  historic wallpaper were applied to the walls of the FDR Suite study. You may remember all the trials and tribulations we had in piecing together the pattern from fragments I discovered last summer behind the large radiator. Then Kari Pei, Head of Design at Wolf-Gordon in NYC (and wife to Li-Chung Pei. Adams, ’72) who had generously offered to recreate the paper, began an almost year-long process of back and forth design and redesign, trying to replicate a period look and feel using the latest digital techniques. A thousand problems along the way – wrong color palettes, wiggly lines, fuzzy digitals – were eventually overcome, and today, thanks to the Peis’ marvelous generosity in donating both the design labor plus the cost of the paper, we at last have a good estimation of the pattern that graced the walls during FDR’s tenure at Westmorly Court.

Here are two very quick progress shots, taken this afternoon as the workman prepared paste and paper. (Keep in mind these are snaps, taken with flash, and the actual colors are considerably deeper in real life.) The first shows all the furniture crowded into the center of the room, and the newly papered walls. The effect of the narrow pattern is surprisingly cloth-like, and quite masculine in feel. Note too how the ornate period radiator (recently restored) and new light fixtures suddenly come to life against the patterned  background.

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And here’s another shot, showing a section of wall we had temporarily painted, and the newly papered wall in comparison. It’s amazing how much richer the papered surface appears than the flat paint. We’re finally getting the feel of a real Victorian room!

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Now all we have to do is put everything back in place! Updated higher quality photos to follow…

Once again, we at the Foundation and everyone at Adams House would like to express our heartiest thanks to the Pei’s for the extremely generous donation of time, effort and funds to complete this project!

Project Lathrop Brown

I was sitting in the Suite a few weeks ago, looking around, and I must admit to being quite impressed. With furniture mostly in place, pictures on the walls, mementos scattered everywhere, the place is really starting to become a real Victorian room with personality. This last is truly the key, because our quest is not so much to create a period interior (although that’s interesting in itself) but rather to create a period interior that reflects two very specific men: FDR and Lathrop Brown. Fortunately for FDR’s posterity, our president’s past is extremely well documented. The FDR Library and Museum at Hyde Park in the person of Bob Clark, chief archivist, has been extremely helpful in providing us with images that make FDR’s personal space come alive: pictures of the family at play, views of Springwood, images of the Half Moon at full sail. Not so for Lathrop Brown – his early life was mostly a blank to us beyond the wonderful later-life pics Pam Grossman, Lathrop’s granddaughter, and her husband Elmer dug up for us  – at least until last month. Exactly as I was lamenting the lack of detailed information and photos of Lathrop’s family, I received an email from Teresa Izzo, friend and fellow history detective to Dan L’Engle Davis, who turned out to be Lathrop’s sister Lucy’s grandson. (Got that?) Teresa had found us through the website, and wanted to let me know that Dan had “quite a collection” of Brown family memorabilia.

Was I interested?

Is the Pope Catholic? How soon can you get here?!!

“Quite a collection” turned out to be a tremendous understatement: an unbelievable collection of numerous photo albums, stuffed with over a century of Brown family history from the 1860’s to about 1910. Here at last were the insights into Lathrop and his family we had lacked: their travels, their childhood pictures, their homes, all in a remarkable state of preservation. Some examples:

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Lathrop’s mother, the former Lucy Nevins Barnes, about 1878, just before she married Charles Stelle Brown, who was then in the process of building a real estate empire in New York City. (Brown’s firm sold the land to build the Brooklyn Bridge, as just one example.) Later in life, Lucy Barnes Brown would go on to become the first ever woman’s amateur golf champion.

Here she is, ready for the links in 1895:

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Lathrop’s Father, Charles Stelle Brown: (this pic courtesy the Grossman’s)

Charles Stelle Brown

And the children:

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Lathrop’s siblings in 1893. From left to right: Charles S Brown Jr, ’08, Lathrop Brown ’04, Lucy Brown, and Archibald Manning Brown ’03. Charlie, as he was known, went on to head the family’s real estate firm in Manhattan, which still exists today,  by the way – Brown, Harris Stevens; Lathrop (Lapes, (or Lapie) to his family, as we now know thanks to the albums, would soon be congressman and presidential confidante); Lucy, who married artist William L’Engle, became a famous painter; and Archie, who became a well known architect.

The pictures run the gamut from formal portraits to Brownie shots. Below is Lathrop and Miss Lydia Jones, Long Island Sound, summer, 1903. (Lathrop, already with sufficient credits to graduate, would return to Cambridge that fall, his only duty to manage the Varsity Football Squad. FDR, also unofficially matriculated, would occupy himself with his two loves, one old – The Crimson, and one new – Eleanor.) The two hand-held Brownie shots, here restored, are humorously labeled “Before the Sail”:

before the sail

and “After the Sail.”

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I could go on and on, but you get the general idea: from the clear blue sky has dropped an invaluable collection of close to 1000 pictures that documents the lives of not one, but three distinguished Harvard alums, and that allows us to fill out the Lathrop Brown side of the FDR Suite equation in a way we never thought possible.(Not to mention fulfilling the Foundation’s charter “to preserve and document Harvard student life at the turn of the 20th century.”)

So, short story: we’ve launched Project Lathrop Brown. With the help of our summer intern Justin Roshak, and while we have the kind loan of this material from Dan and Teresa for the summer, it’s our intention to scan and catalog a large percentage of these photos, both for our own eventual use in the Suite, as well to share with the Harvard University Archives and FDR Presidential Library.

And that’s where you come in: after some heady months of donations earlier this year, funding has slowed to a trickle, and we could use your help! Project Lathrop Brown will cost about $2500, mostly in new digital equipment suitable for this kind of intensive photographic preservation and reproduction; in addition, we’re still about 30K out from finishing the Suite. If you haven’t donated before, or if you can find your way to helping us again, now’s the hour!

More Recent Acquisitions and Views

Hello All!

Thanks to your support and generosity, things keep marching along. Further additions for you to contemplate:

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Just slightly crinkled from the crate: here’s the first piece of wall decoration in Lathrop’s bedroom, where the narrative theme will be hunting, horses and football: a ca 1890 tapestry depicting a Renaissance chase. Machine woven, this lovely textile measures 4 x 7′ and is in marvelous condition. It must say it really complements the lovely golden silk wallpaper behind it, or perhaps, the wallpaper complements it! Either way, it’s a terrific addition to the room.

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view-Lathrop

Here’s another view of Lathrop’s room from the study, giving you a better idea of the scale of the tapestry. As you can see, we are slowly starting to hang the 500 or so expected items on the Suite walls, by wire,  as was done in the period. I can assure you that this hanging process is a real pain, precariously tilting and tipping at each turn, made all the more maddening by the knowledge that  each piece will have to come down for the eventual wallpapering and then be rehung. Ah well, no complaints: better than bare walls!

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table

A delightful vignette: an ornate converted oil lamp (here shown with a somewhat miserable modern shade; we’re still looking for an etched period example), which keeps young Lathrop Brown and Harvard mascot John the Orangeman perfect company on a period parlor table. Above these, you may recognize from my March post the Harvard hazing print we ultimately managed to acquire, as well as another Charles Dana Gibson illustration “The Shore is Strewn with Wrecks,” in which the lovely lady you see striding so purposefully forward has just spurned the man barely visible in the distance, while cupids laugh amidst the hulk of an old whaler.

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rufus

Now the above is one of my favorites! The wild-eyed taxidermy scene glowering at you from its elevated perch is a bobcat standing over its prey, a just-killed pheasant. While this is not something I would necessarily choose for my home decor, FDR most likely would have: our president-resident was quite the fan of taxidermy, especially birds, and this piece accurately reflects the Victorian love of such tableaux. The taxidermy was done by a well known wildlife artist in Michigan (using entirely documented specimens, for anyone wondering), and was first shipped to my house for safekeeping until I could bring it to the Suite. My dog growled at that cat for days! I’ve nicknamed the bobcat “Jack” (from John) and the poor bird “Eli,” as in “Sons of…” Poor Eli doesn’t seem to be getting up for the count… Ah well, what can you expect from a Yalie?! The leaded glass-front bookcase, by the way, (Lathrop’s case) is another gem that just arrived last week. Made in 1900, it is a Macey stackable. Quite ingenious for its day, the case is entirely modular; you purchased the base and top, and as many shelving units as you wished: height was fully adjustable to room, preference or circumstance. Once we locate a suitable example, a desk (Lathrop’s) will occupy the corner where the trunk now sits. (FDR’s will be opposite.) I’m thrilled to relate that these two desks are the final pieces of major furniture we’re missing!

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clock

Several of you asked to see more of the mantle time piece I hinted at in my last post. Here it is, in full glory: an adamantine Seth Thomas coffer clock. This lovely creature keeps reasonably good time, richly tick-tocking away, striking the hour and half hour with the most sonorous tone I’ve ever heard for a mechanism of its size – more like a tall case clock than a tiny shelf piece. The stone-like decoration is hugely clever faux painting, by the way – very much the height of fashion in 1900, but about to be swept away by the incoming rush of Mission style just a few years in the future.

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windows

Three new pieces: on the wall, above the period table, four mid-nineteenth century engravings: “Scenes of Kent”;  on the easel, an original charcoal, “Interior of 3 St James Place, London,” by 19th century artist Johnstone Briant; and the bamboo easel itself, an absolutely fantastic example of the Japanese-influenced Victorian design so popular in the last years of the 19th century.

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And finally, beneath the bronze plaque dedicated by Eleanor Roosevelt in 1960, the carved walnut bookcase next to the mantle. On it you’ll now find period travel guides, team photos, club medals and a marvelous period English pipe rack, which you can just see here, in the form of a ship’s capstan, bearing the copper label “Made from the timbers of Nelson’s fleet.” A souvenir of things to come for our future assistant secretary of the navy and commander-in-chief…

A thousand thanks  again to all of our wonderful supporters – corporate, charitable, alumni & otherwise – who have made such progress possible!

New Views of the Suite

It seems like ages, but here, at last, are some of the first views, post renovations. The walls are still bare, and the furniture a bit sparse, but we’re getting there!

Our new Morris chairs, and a chance discovery: a very sturdy, and reasonably conformtable Victorian setee.

Our newly replicated Morris chairs (thanks to the exquisite craftsmanship of Lary Shaffer at Scarborough Marsh Fine Furniture) combined with a chance antique discovery: a very sturdy, and reasonably comfortable Victorian settee that seems quite at home already under the golden light of the early Edison bulbs. A roaring wood fire illuminates the custom basket-weave fire-back characteristic of rooms in Westmorly Hall.

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The view towards the French windows, with our Brimfield railroad chest in the corner. Window treatments are the next step and will alter this view substantially.

The view toward the French doors, with our Brimfield-Antiques-Fair purchased railroad chest in the corner. (One of two.) Period window treatments are the next planned step based on 1899 designs from the same vendor used by Sara and FDR; this vignette will alter considerably when they are completed.

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A closeup of the chest; this item will eventually reside at the foot of FDR's bed, as he notes in his letters to Sara

A closeup of the chest; this item will eventually reside at the foot of FDR's bed, as he notes in his letters to Sara.

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The vew towards the piano. The song waiting to be played is "Taking a Trip Up the Hudson." Thanks to the dedicated group of alumni who funded this project!

The view toward the 1898 Ivers & Pond piano, which FDR rented as a member of the Freshman Glee Club: "Our piano is coming tomorrow; it is $40 for the year, which is $10 off the regular price. It is a very nice one and of a good tone" (Letter to parents, 11/23/00). The song waiting to be played is the 1902 hit: "Taking a Trip Up the Hudson." Thanks to the dedicated group of alumni who funded this project, and to parlorsongs.com for the music!

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The renovated bathroom, wainscoting, fixtures and granite floor restored.

The renovated bathroom, wainscoting, fixtures and granite floor restored.

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Period chandelier in place, and walls coated with a temporary coat of paint until the final paper arrives, we're almost ready to begin acquiring the 1000 or so items that will eventually filll this room.

Period chandelier in place, and walls with a temporary coat of paint until the final paper arrives, we're almost ready to begin acquiring the 1000 or so items that will eventually fill this room. Tables, chairs, lamps, picture, sculpture, books, bookcases, pen, pencils, pipes, desk sets, period newspaper, umbrellas, walking sticks, spittoon, club albums, medals, trophies, Harvard ephemera. Soon, it will be 1903 again...

A thousand thanks to all of you who have helped us move this project forward! Special kudos to our alumni donors  and project supporters (you know who you are); Harvard College in the person of our honorary President Drew Faust, the Palfreys, Suzy Nelson, and Merle Bicknell; Shawmut Construction, especially Carl Jay, and his dedicated horde of motivated craftsmen; Ropes and Gray LLC,  in the persons of Christopher Leich and Sarah Shaffer-Raux; Kari and Sandy Pei for their incredible donation of the wallpaper and reconstruction labor; and last, but certainly not least, the offices of the Lillian Goldman Charitable Trust, which largely funded this phase of the Restoration.

Under Construction At Last!

Thanks to the generosity of our supporters, corporate sponsors, members, and the Lillian Goldman Charitable Trust, we are finally under construction!

A few snaps:

The bathroom minus the tub. Once removed it was discovered that there was substantial water damage to the floor, and many of the original granite tiles are loose or broken

A lonely presidential seat sits in the bathroom, now minus the tub. Once fixtures were removed, it was discovered that there was substantial water damage to the floor, and many of the original granite tiles are loose or broken. They will be reset, repaired and polished, and the wainscoting will be restored on the two sides of the bath where it had been removed. Note the original wooden tank cover over the toilet.

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"Lathrop's room" with the original clawfoot tub, and sink just behind, awaiting restoration.

"Lathrop's room" with the original claw-foot tub, and sink just behind, temporarily stored and awaiting restoration. The tub will be re-enameled on site, and the marble sink and bowl cleaned and restored. Other than the walls, this room is in fairly good shape.

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The main study, getting a new ceiling coat. Painting begins next week, with paper scheduled for the week after.

The main study, getting a new ceiling coat. Painting begins next week, with paper scheduled for the week after. In two weeks the period chandelier and wall sconces will be installed, dramatically restoring the look and feel of this room.

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On a a furnishing note, thanks to the craftsmanship of Lary Shaffer, “Lathrop’s” Morris Chair is done, just awaiting cushions. What a beauty!

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Will all this construction be done before the 27th?  I’m told so, as long as the new fixtures and paper arrive on schedule. Keep your fingers crossed, everyone!