More Recent Acquisitions and Views

Hello All!

Thanks to your support and generosity, things keep marching along. Further additions for you to contemplate:

tapestry

Just slightly crinkled from the crate: here’s the first piece of wall decoration in Lathrop’s bedroom, where the narrative theme will be hunting, horses and football: a ca 1890 tapestry depicting a Renaissance chase. Machine woven, this lovely textile measures 4 x 7′ and is in marvelous condition. It must say it really complements the lovely golden silk wallpaper behind it, or perhaps, the wallpaper complements it! Either way, it’s a terrific addition to the room.

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view-Lathrop

Here’s another view of Lathrop’s room from the study, giving you a better idea of the scale of the tapestry. As you can see, we are slowly starting to hang the 500 or so expected items on the Suite walls, by wire,  as was done in the period. I can assure you that this hanging process is a real pain, precariously tilting and tipping at each turn, made all the more maddening by the knowledge that  each piece will have to come down for the eventual wallpapering and then be rehung. Ah well, no complaints: better than bare walls!

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table

A delightful vignette: an ornate converted oil lamp (here shown with a somewhat miserable modern shade; we’re still looking for an etched period example), which keeps young Lathrop Brown and Harvard mascot John the Orangeman perfect company on a period parlor table. Above these, you may recognize from my March post the Harvard hazing print we ultimately managed to acquire, as well as another Charles Dana Gibson illustration “The Shore is Strewn with Wrecks,” in which the lovely lady you see striding so purposefully forward has just spurned the man barely visible in the distance, while cupids laugh amidst the hulk of an old whaler.

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rufus

Now the above is one of my favorites! The wild-eyed taxidermy scene glowering at you from its elevated perch is a bobcat standing over its prey, a just-killed pheasant. While this is not something I would necessarily choose for my home decor, FDR most likely would have: our president-resident was quite the fan of taxidermy, especially birds, and this piece accurately reflects the Victorian love of such tableaux. The taxidermy was done by a well known wildlife artist in Michigan (using entirely documented specimens, for anyone wondering), and was first shipped to my house for safekeeping until I could bring it to the Suite. My dog growled at that cat for days! I’ve nicknamed the bobcat “Jack” (from John) and the poor bird “Eli,” as in “Sons of…” Poor Eli doesn’t seem to be getting up for the count… Ah well, what can you expect from a Yalie?! The leaded glass-front bookcase, by the way, (Lathrop’s case) is another gem that just arrived last week. Made in 1900, it is a Macey stackable. Quite ingenious for its day, the case is entirely modular; you purchased the base and top, and as many shelving units as you wished: height was fully adjustable to room, preference or circumstance. Once we locate a suitable example, a desk (Lathrop’s) will occupy the corner where the trunk now sits. (FDR’s will be opposite.) I’m thrilled to relate that these two desks are the final pieces of major furniture we’re missing!

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clock

Several of you asked to see more of the mantle time piece I hinted at in my last post. Here it is, in full glory: an adamantine Seth Thomas coffer clock. This lovely creature keeps reasonably good time, richly tick-tocking away, striking the hour and half hour with the most sonorous tone I’ve ever heard for a mechanism of its size – more like a tall case clock than a tiny shelf piece. The stone-like decoration is hugely clever faux painting, by the way – very much the height of fashion in 1900, but about to be swept away by the incoming rush of Mission style just a few years in the future.

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windows

Three new pieces: on the wall, above the period table, four mid-nineteenth century engravings: “Scenes of Kent”;  on the easel, an original charcoal, “Interior of 3 St James Place, London,” by 19th century artist Johnstone Briant; and the bamboo easel itself, an absolutely fantastic example of the Japanese-influenced Victorian design so popular in the last years of the 19th century.

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IMG_3464

And finally, beneath the bronze plaque dedicated by Eleanor Roosevelt in 1960, the carved walnut bookcase next to the mantle. On it you’ll now find period travel guides, team photos, club medals and a marvelous period English pipe rack, which you can just see here, in the form of a ship’s capstan, bearing the copper label “Made from the timbers of Nelson’s fleet.” A souvenir of things to come for our future assistant secretary of the navy and commander-in-chief…

A thousand thanks  again to all of our wonderful supporters – corporate, charitable, alumni & otherwise – who have made such progress possible!

Recent Acquisitions and New Views of the Suite

My apologies for not posting any news for the last several weeks, but these have been busy, heady days. Thanks to the generosity of our supporters, we’ve been able to begin the process of furnishing the Suite, slowing rolling back the years to May, 1904.

I thought you might be interested in seeing some of the progress to date:

view-to-window

Above: the view of the study towards the French doors. To the far right, a wonderful brass period oil lamp (now electrified for safety reasons, as all our lamps are, but in FDR’s time, kerosene, as the electric outlet had yet to be invented)  sitting coyly on a period Gothic revival parlor table. The small antique settee, purchased at a local flea market for $400 as a temporary holder piece in lieu of a daybed, turns out to be a John Jelliff!, estimated to be worth ten times that amount. To the left of this remarkable find, a period marble topped sofa table, (quite rare for the time) and the two new Morris Chairs handcrafted by Lary Shaffer this past summer. On the mantel, medals on museum loan from the kind family of Chester Robinson, ’04 (that’s 1904 for all you newbies); along with an elaborate 1900 adamantine coffer clock (with a marvelously deep, resonant chime, bong, bong!) by Seth Thomas. Another nickel-plated oil lamp sits to the far left, and the dual gas/electric light fixtures, just restored from awful fluorescents, shine with their original Edison bulbs. The walls are still carrying their temporary coat of paint, as we’ve had yet another hiccup with the re-created wall paper. Once that’s resolved, we’ll start hanging pictures. Period draperies are also in development. The ornate little table between the windows is actually the sole piece of furniture in the Suite we can situate with absolute certainty:  “The book-case turned out to be just ½ inch too wide for the space, & it was the narrowest I could get. I have got a beautiful table & it looks very well between the two front windows.” FDR to Sara, 2.18.01. Ours looks “very well” too, don’t you think?

view-towards-piano

Here’s the view looking the other direction. Our recently restored 1899 Ivers & Pond piano (“Our piano is coming tomorrow, $40 for the year which is $10 off the regular price.  It is a very nice one and of good tone.” FDR to Sara 11.23.00) carries a collection of period prints, including a lovely Piranesi view of the Arch of Septimius Severus in Rome. Below the FDR Memorial plaque, dedicated by Eleanor in 1960, a Victorian glass fronted bookcase, which just arrived last week, slowly fills with period books and memorabilia.

trunk

The SW corner of “FDR’s” bedroom as seen from the door to the study. (We actually don’t know who slept where, so we’ve assigned FDR to the south bedroom, which is slightly bigger but lacks a closet, and Lathrop to the north, principally because the furniture selected to match their rooms’ narrative works better that way.) In the photo above, a late 19th century railroad trunk sits next to a burled oak Eastlake marble-topped commode, part of a three piece set, including a spectacular bed, purchased with funds granted by the Lillian Goldman Charitable Trust. The walls are now covered in pale green silk, thanks to the generosity of Kari and Li Chung Pei, ’72

dogjar

A vintage hand crocheted runner protects the top of the piano; the nickel plated oil lamp illuminates an original Gibson girl portrait, made iconic by illustrator Charles Dana Gibson. A figural “Turks Turban” meerschaum (one of a growing collection of period pipes) rests on its side to the left of FDR’s famous “dog tobacco jar,” which he specifically requested Sara bring with her from Hyde Park in the spring of 1902. (No comments there!)

painting

How this for a great E-bay find? A fantastic small oil on board signed R. H. Bowman,  born in 1884 in New Harbor, Bristol Maine. Price tag: $20! This will eventually be hung in FDR’s bedroom, along with other nautically inspired memorabilia to echo FDR’s love of the sea. The decor of Lathrop’s room, done in dark gold silk wallpaper, again the gift of the Li Chung Pei ’72 and Kari Pei, will revolve around “Jake’s”  fondness for hunting, horses, and football.

And lest we forget to be grateful, a reminder of how things were two short years ago – 2008, compared to 2010:

beforeafter-2010

Our most heartfelt thanks to all of you who continue to aid our restoration efforts!

New Views of the Suite

It seems like ages, but here, at last, are some of the first views, post renovations. The walls are still bare, and the furniture a bit sparse, but we’re getting there!

Our new Morris chairs, and a chance discovery: a very sturdy, and reasonably conformtable Victorian setee.

Our newly replicated Morris chairs (thanks to the exquisite craftsmanship of Lary Shaffer at Scarborough Marsh Fine Furniture) combined with a chance antique discovery: a very sturdy, and reasonably comfortable Victorian settee that seems quite at home already under the golden light of the early Edison bulbs. A roaring wood fire illuminates the custom basket-weave fire-back characteristic of rooms in Westmorly Hall.

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The view towards the French windows, with our Brimfield railroad chest in the corner. Window treatments are the next step and will alter this view substantially.

The view toward the French doors, with our Brimfield-Antiques-Fair purchased railroad chest in the corner. (One of two.) Period window treatments are the next planned step based on 1899 designs from the same vendor used by Sara and FDR; this vignette will alter considerably when they are completed.

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A closeup of the chest; this item will eventually reside at the foot of FDR's bed, as he notes in his letters to Sara

A closeup of the chest; this item will eventually reside at the foot of FDR's bed, as he notes in his letters to Sara.

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The vew towards the piano. The song waiting to be played is "Taking a Trip Up the Hudson." Thanks to the dedicated group of alumni who funded this project!

The view toward the 1898 Ivers & Pond piano, which FDR rented as a member of the Freshman Glee Club: "Our piano is coming tomorrow; it is $40 for the year, which is $10 off the regular price. It is a very nice one and of a good tone" (Letter to parents, 11/23/00). The song waiting to be played is the 1902 hit: "Taking a Trip Up the Hudson." Thanks to the dedicated group of alumni who funded this project, and to parlorsongs.com for the music!

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The renovated bathroom, wainscoting, fixtures and granite floor restored.

The renovated bathroom, wainscoting, fixtures and granite floor restored.

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Period chandelier in place, and walls coated with a temporary coat of paint until the final paper arrives, we're almost ready to begin acquiring the 1000 or so items that will eventually filll this room.

Period chandelier in place, and walls with a temporary coat of paint until the final paper arrives, we're almost ready to begin acquiring the 1000 or so items that will eventually fill this room. Tables, chairs, lamps, picture, sculpture, books, bookcases, pen, pencils, pipes, desk sets, period newspaper, umbrellas, walking sticks, spittoon, club albums, medals, trophies, Harvard ephemera. Soon, it will be 1903 again...

A thousand thanks to all of you who have helped us move this project forward! Special kudos to our alumni donors  and project supporters (you know who you are); Harvard College in the person of our honorary President Drew Faust, the Palfreys, Suzy Nelson, and Merle Bicknell; Shawmut Construction, especially Carl Jay, and his dedicated horde of motivated craftsmen; Ropes and Gray LLC,  in the persons of Christopher Leich and Sarah Shaffer-Raux; Kari and Sandy Pei for their incredible donation of the wallpaper and reconstruction labor; and last, but certainly not least, the offices of the Lillian Goldman Charitable Trust, which largely funded this phase of the Restoration.

Under Construction At Last!

Thanks to the generosity of our supporters, corporate sponsors, members, and the Lillian Goldman Charitable Trust, we are finally under construction!

A few snaps:

The bathroom minus the tub. Once removed it was discovered that there was substantial water damage to the floor, and many of the original granite tiles are loose or broken

A lonely presidential seat sits in the bathroom, now minus the tub. Once fixtures were removed, it was discovered that there was substantial water damage to the floor, and many of the original granite tiles are loose or broken. They will be reset, repaired and polished, and the wainscoting will be restored on the two sides of the bath where it had been removed. Note the original wooden tank cover over the toilet.

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"Lathrop's room" with the original clawfoot tub, and sink just behind, awaiting restoration.

"Lathrop's room" with the original claw-foot tub, and sink just behind, temporarily stored and awaiting restoration. The tub will be re-enameled on site, and the marble sink and bowl cleaned and restored. Other than the walls, this room is in fairly good shape.

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The main study, getting a new ceiling coat. Painting begins next week, with paper scheduled for the week after.

The main study, getting a new ceiling coat. Painting begins next week, with paper scheduled for the week after. In two weeks the period chandelier and wall sconces will be installed, dramatically restoring the look and feel of this room.

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On a a furnishing note, thanks to the craftsmanship of Lary Shaffer, “Lathrop’s” Morris Chair is done, just awaiting cushions. What a beauty!

lb stage2

Will all this construction be done before the 27th?  I’m told so, as long as the new fixtures and paper arrive on schedule. Keep your fingers crossed, everyone!

Interior Design, and Redesign, Harvard 1900

Shortly after last year’s FDR dinner, I received an email from a certain Mr. Dave Robinson in Maine, inquiring as to whether or not we’d be interested in taking a look at some of the Harvard photos and ephemera he’d inherited from his grandfather, Chester Robinson, ’04, a friend and a classmate of FDR’s. I said certainly. Well, one thing led to another, I got busy, Dave got busy, then we made arrangements to get the materials scanned, then there was further delay, then mysteriously the ISB drive Dave sent me arrived empty: you get the general idea. Almost a year passed, and I still really hadn’t had a chance to see the extent of the collection.

The files arrived last week, and I opened them today.

Are we in for a treat!

Over the next few weeks I’ll be showing you more of the incredible treasure trove of material that the Robinson family has been kind enough to share with us, but let’s just say we’ve taken a major step forward in locating specific items to purchase or replicate. For now, I wanted to share with you these six photos, of Chester (Chet) Robinson’s rooms. They show Robinson and his roommate Goodhue’s bay-windowed corner suite in the old Russel Hall, a Claverly like building that stood where today’s Russell (C-Entry) now stands. What’s fantastic about these photos, (and to my knowledge unique in the Harvard collection) is that they show the same room from three views, with two different decorative schemes. Somewhere during their four years, the pair decided to redecorate, in keeping with the shift in taste that was occurring right around the turn of the century. Ornate Victorian styling was moving out, and what would become Arts and Crafts, and eventually, neo-Colonial, was beginning to take hold. What’s critical about finding these pictures, just as we are about to paper the FDR suite, is what it reveals about the wallpaper: we’ve been wondering whether or not our selection of solid silk papers for the bedrooms, as we had seen in the Vanderbilt Suite, was typical of the time, or merely the product of Vanderbilt’s elevated design aesthetic. No longer:

window-before

Here’s the window seat before. Note the rather frilly drapes, and the striped wall paper. Two Morris chairs, similar to those coming to the FDR suite, and again, all those Harvard pillows we see in many of the photos. Heaven knows where we will find or recreate those! And how’s this for bizarre coincidence: the view out the windows reveals Westmorly, and the windows of the FDR suite!

window-after

Now look at this: a much more distinguished arrangement, with a solid, silk like material on the walls, almost identical to what we were guessing for the FDR Suite bedrooms. YES! The name placards, by the way, are another typical element of Harvard student rooms of the period, though generally they are located over the individual’s bedroom door.

hearth before

A view of the hearth before. Note the Meerschaum pipes (present in almost every room photo) and the beer mugs (another ubiquitous student item.)

hearth-after

Here’s the hearth view after: you can tell it’s years later from the medals now hanging from the pictures: these are club and sports member medallions, and Dave’s family still has many of them, as well as the picture of dear old John the Orangeman, just visible on the mantle behind the mugs to right.

door-before

The doors to the bedrooms before: the curtains over the doorways appear in many of the room pictures of the period, and seem very odd to modern eyes. Most bookcases had curtains as well, as shown in the picture two above this one – to keep out coal and wood dust from the fires.

door-after

The door view after: a much more civilized arrangement than the ad hoc day bed previously. Note the Crimsons hanging from a hook on the wall. In general, it’s surprising how much the decor has matured over the interval. One (or both) of these gentlemen had a very good eye!

All in all, these six pictures provide a wealth of invaluable leads as to what kind of items we’ll need to acquire for the Suite, and as well as confirming both our reproduction of the printed study paper, and use of solid silks elsewhere. They also remind us what we often forget: the past is not static, locked at a single point and place the way we tend to view it from photos. It changed and moved, just like the present. Something to keep in mind when re-creaeting a set of rooms occupied for four years by two men of maturing times and taste…

We are all hugely grateful to Dave Robinson and his family for sharing this amazing time capsule with us, and I look forward to sharing more of it with you, our readers, over the next month.

Wallpaper Redux

So, long story short… Before we committed ourselves to a final decision on the study wallpaper, I thought it advisable to check one more time behind the massive radiator where I discovered the initial fragments. This time though, rather than just investigating with camera and flashlight, thanks to the kind offices of our superintendent, Jorge Teixeira, we actually removed the 400 pound beast – with the help of three men! And this is what I found:

wallpaper1

Uh oh… See that little leaved bit in the upper left-hand corner? Another fragment of the pattern had come to light.

Here’s an expanded view:wallpaper2

So now, what to make of the pattern? It turns out we were only partially correct on our first version, but fortunately, thanks to the little dot at the 0-inch mark at the lower left hand corner of the first view, we were finally able to determine the repeat with accuracy by flipping and overlaying the detached pieces I found with those still on the wall. That little section really was a lifesaver, because if it hadn’t been for this single bit in situ, there would have been no way to determine the repetition.

Here’s what the pattern looks like, matching extant bits on the wall with recovered fragments:

wallpaper3

And voila! Our interpretation:

wallpaper4

Note that I say “interpretation.” Given the the poor condition of existing fragments, there’s no way (within our budget, at least) to really determine the original color palette of the paper with absolute accuracy. Though the fragments read mostly red now, they are heavily faded, covered with paint and mastic, and have been subjected to 110 years of heat and light. Originally, the various bands were most likely some other complementary color such as olive green, brown or dark burgundy.  Kari Pei, the Director of Design at Wolf-Gordon, whose company is donating the paper for the Suite, sifted through a large number of Victorian paper samples, and proposed several probable color schemes based on patterns of the period. Like so many other things in a project lacking direct photographic evidence, we simply have to make a best guess in keeping with our mission to invoke the period. Of the various options, the one above proved the favorite. The paper’s exact hues by the way, are not yet set. (And how you see them will vary greatly depending on your computer monitor.) The overall final effect should be burgundy/olive green, and we’ll be working with interior designer Kai Chao to coordinate the final shades of the bands with the fabric for draperies, the Morris chairs, as well as the paper for the bedrooms and hall.

And speaking of Kari, she deserves a special word of thanks. Not only is her firm making a substantial donation to our efforts, but she herself put in dozens of hours, handcrafting the design you see above. In fact, she produced over 20 different versions of the FDR paper, each time tweaking and adjusting the pattern as new information came to light. I’m particularly pleased with the way she was able to recreate the loose informality of the original fragments. Her careful eye noticed that the loops in the fleurs de lys, as well as the leaves, varied in sequence, and if you scroll quickly over the design above, you’ll see she was able to replicate that hand-drawn appearance. Quite a feat to replicate on computer!

And one final note: thanks to your generosity – several of you at the Trustee level, bravo! – we’ve acquired the piano! A very special round of applause goes out to Michael Silver, Dean LeBaron, Richard Mayer, Gilbert O’Connell and Pam & Elmer Grossman. Pam, by the way, is the granddaughter of FDR’s roommate and life-long friend, Lathrop Brown. During their visit here in September, she and Elmer provided us with a wealth of fascinating material which I’ll be sharing with you over the next few weeks.