As the Cambridge air has turned cool, we’ve begun to notice that strange things are afoot in the Suite. Haunting melodies of ragtime are floating in the air, and occasionally our 1899 upright starts playing by itself, spirit fingers at the keyboard!!!  Could it be the ghost of Lathrop Brown? You be the judge:

Whoever it is, it’s certainly not FDR, as he never had a ragtime hand like that! (Or four, actually.)

Kidding aside: it’s clear that our former “unspirited” and underused piano now plays magically by itself, thanks to a technological mini-miracle that allows old uprights like ours to be sent out and returned as part of the 21st century. I’m not sure what portion of this transformation amazes me more: the fact that the piano is controlled from a smart phone; that  no physical alterations to the historic case or mechanism were required; that it plays 5000 songs; or, even better, it records actual performances! We’ve already engaged a phenomenal pianist at Quincy House, Chase Morrin, to come and preserve for us songs from our extensive period sheet music collection. Think of it! Soon the Suite will echo once again to the 1904 tunes of “Cindy, Your My Dream” or “Hello Central? Get Me Heaven” – songs that haven’t been heard within these walls for over a century. (What many people forget is that this music was originally recorded live, embedded on paper player rolls, which have now been transcribed. These are the actual performances of 100 year ago, by major talents of the day.) Most importantly, this transformation allows us to share for the first time this wonderful period of music with our students and guests.

Ghosts, it seems, have an infinite repertoire, unencumbered by availability.

Needless to say, this modernization wasn’t cheap – $6500 – but we’ve had a pledge from an anonymous donor for half the amount, and we’re hoping that there are one or more of you who’d like to give the gift of music of the last century to an entirely new generation of listeners.