Boodle & Co.

Dearest Mama,
I have jumped into a den of wild animals on my return, beginning with a dinner at the Club last Saturday, two private performances of the Pudding show & a crowd of 1903 men here for Herbert Burgess’ ushers’ dinner… FDR to Sara,
May 3rd, 1904:

Just so that you don’t think we’re concentrating on Euterpe at the expense of Thalia, I thought you might be interested in seeing one of our recent acquisitions for the Suite:

Boodle Poster corrected1This wonderful image comes to us courtesy of the descendants of Chester Robinson ’04; Chester’s grandson Dave found this fantastic poster among the memorabilia Chester had saved from his Harvard years. Dave was kind enough to have the original scanned for us,  and after a bit of digital restoration work, it once again looks just as it did when FDR first saw it. A copy will hang on the door of FDR’s bedroom.

But what of the production itself? I was curious, especially after I saw other pictures from Chester’s collection showing the merry crew:

boodles

A bit more digging, and this article from the Crimson, Saturday, April 02, 1904:

Rehearsals of the Hasty Pudding Club’s comic opera “Boodle and Co.,” have been held regularly for the past four weeks, and the production promises not to fall below the standard set by former Pudding plays. Mr. J. W. Parks and Mr. M. B. Gilbert, who have been connected with past Cadet shows, are coaching the principals and the chorus respectively. The twenty-four musical numbers, by J. H. Densmore ’04, and the book, by H. Otis ’04, are bright and catchy and display considerable versatility.

The prologue introduces Simeon Boodle, an Idaho rancher, who, upon announcing his purpose of becoming rich and influential, promptly falls asleep in front of his ranch-house and dreams the events set forth in the two acts. The scene of these is laid at White Isle, a fashionable summer resort, where Boodle, now an opulent United States senator, takes his family for the summer. Here he gradually loses most of his money, but gains control of his hitherto ruling half, and sees his daughter finally married to the man who really loves her. After many amusing complications and minor love affairs, he wakes up in the epilogue, happy to find that he has only been dreaming.

The cast, in order of appearance, is as follows: Simeon Boodle, rancher, hopeful but tired,  J. P. Bowditch ’05; Mrs. Boodle, Simeon’s better and ruling half,  R. Lane ’04; David Plumb, rancher, with tragic inclinations,  C. A. Shea ’04; Elizabeth Boodle, daughter of Simeon,  G. Lawton ’04; Roger Fairfax, the pride of Bonanza,  S. A. Welldon ’04; Mr. Moppet, proprietor and manager of White Isle Lodge,  G. F. Tyler ’05; Minnie Moppet, his daughter,  W. P. Sanger ’05;  Augustus Grenville of London,  G. O. Winston ’05;  Duchess Marietta Chinolla, of Italy,  M. Tilden ’05; Fritz. David’s unhappy companion,  H. Otis ’04; Captain Trump, of U. S. Cruiser “Alaska.”  A. V. Baird ’04; Cowboy clerks, French school-maids middies on the “Alaska,”  White Isle guests, summer girls, waiters, etc.

Performances will be given as follows: graduates’ night, April 30: undergraduates night; May 2: public performances May 8: Boston performances in Potter Hall. New Century Building. Huntington avenue, May 5, 6, and 7, matinee May 6.

It seems the production was quite well received. Who knows, perhaps it’s time for a revival…

Recent Acquisitions and New Views of the Suite

My apologies for not posting any news for the last several weeks, but these have been busy, heady days. Thanks to the generosity of our supporters, we’ve been able to begin the process of furnishing the Suite, slowing rolling back the years to May, 1904.

I thought you might be interested in seeing some of the progress to date:

view-to-window

Above: the view of the study towards the French doors. To the far right, a wonderful brass period oil lamp (now electrified for safety reasons, as all our lamps are, but in FDR’s time, kerosene, as the electric outlet had yet to be invented)  sitting coyly on a period Gothic revival parlor table. The small antique settee, purchased at a local flea market for $400 as a temporary holder piece in lieu of a daybed, turns out to be a John Jelliff!, estimated to be worth ten times that amount. To the left of this remarkable find, a period marble topped sofa table, (quite rare for the time) and the two new Morris Chairs handcrafted by Lary Shaffer this past summer. On the mantel, medals on museum loan from the kind family of Chester Robinson, ’04 (that’s 1904 for all you newbies); along with an elaborate 1900 adamantine coffer clock (with a marvelously deep, resonant chime, bong, bong!) by Seth Thomas. Another nickel-plated oil lamp sits to the far left, and the dual gas/electric light fixtures, just restored from awful fluorescents, shine with their original Edison bulbs. The walls are still carrying their temporary coat of paint, as we’ve had yet another hiccup with the re-created wall paper. Once that’s resolved, we’ll start hanging pictures. Period draperies are also in development. The ornate little table between the windows is actually the sole piece of furniture in the Suite we can situate with absolute certainty:  “The book-case turned out to be just ½ inch too wide for the space, & it was the narrowest I could get. I have got a beautiful table & it looks very well between the two front windows.” FDR to Sara, 2.18.01. Ours looks “very well” too, don’t you think?

view-towards-piano

Here’s the view looking the other direction. Our recently restored 1899 Ivers & Pond piano (“Our piano is coming tomorrow, $40 for the year which is $10 off the regular price.  It is a very nice one and of good tone.” FDR to Sara 11.23.00) carries a collection of period prints, including a lovely Piranesi view of the Arch of Septimius Severus in Rome. Below the FDR Memorial plaque, dedicated by Eleanor in 1960, a Victorian glass fronted bookcase, which just arrived last week, slowly fills with period books and memorabilia.

trunk

The SW corner of “FDR’s” bedroom as seen from the door to the study. (We actually don’t know who slept where, so we’ve assigned FDR to the south bedroom, which is slightly bigger but lacks a closet, and Lathrop to the north, principally because the furniture selected to match their rooms’ narrative works better that way.) In the photo above, a late 19th century railroad trunk sits next to a burled oak Eastlake marble-topped commode, part of a three piece set, including a spectacular bed, purchased with funds granted by the Lillian Goldman Charitable Trust. The walls are now covered in pale green silk, thanks to the generosity of Kari and Li Chung Pei, ’72

dogjar

A vintage hand crocheted runner protects the top of the piano; the nickel plated oil lamp illuminates an original Gibson girl portrait, made iconic by illustrator Charles Dana Gibson. A figural “Turks Turban” meerschaum (one of a growing collection of period pipes) rests on its side to the left of FDR’s famous “dog tobacco jar,” which he specifically requested Sara bring with her from Hyde Park in the spring of 1902. (No comments there!)

painting

How this for a great E-bay find? A fantastic small oil on board signed R. H. Bowman,  born in 1884 in New Harbor, Bristol Maine. Price tag: $20! This will eventually be hung in FDR’s bedroom, along with other nautically inspired memorabilia to echo FDR’s love of the sea. The decor of Lathrop’s room, done in dark gold silk wallpaper, again the gift of the Li Chung Pei ’72 and Kari Pei, will revolve around “Jake’s”  fondness for hunting, horses, and football.

And lest we forget to be grateful, a reminder of how things were two short years ago – 2008, compared to 2010:

beforeafter-2010

Our most heartfelt thanks to all of you who continue to aid our restoration efforts!

Interior Design, and Redesign, Harvard 1900

Shortly after last year’s FDR dinner, I received an email from a certain Mr. Dave Robinson in Maine, inquiring as to whether or not we’d be interested in taking a look at some of the Harvard photos and ephemera he’d inherited from his grandfather, Chester Robinson, ’04, a friend and a classmate of FDR’s. I said certainly. Well, one thing led to another, I got busy, Dave got busy, then we made arrangements to get the materials scanned, then there was further delay, then mysteriously the ISB drive Dave sent me arrived empty: you get the general idea. Almost a year passed, and I still really hadn’t had a chance to see the extent of the collection.

The files arrived last week, and I opened them today.

Are we in for a treat!

Over the next few weeks I’ll be showing you more of the incredible treasure trove of material that the Robinson family has been kind enough to share with us, but let’s just say we’ve taken a major step forward in locating specific items to purchase or replicate. For now, I wanted to share with you these six photos, of Chester (Chet) Robinson’s rooms. They show Robinson and his roommate Goodhue’s bay-windowed corner suite in the old Russel Hall, a Claverly like building that stood where today’s Russell (C-Entry) now stands. What’s fantastic about these photos, (and to my knowledge unique in the Harvard collection) is that they show the same room from three views, with two different decorative schemes. Somewhere during their four years, the pair decided to redecorate, in keeping with the shift in taste that was occurring right around the turn of the century. Ornate Victorian styling was moving out, and what would become Arts and Crafts, and eventually, neo-Colonial, was beginning to take hold. What’s critical about finding these pictures, just as we are about to paper the FDR suite, is what it reveals about the wallpaper: we’ve been wondering whether or not our selection of solid silk papers for the bedrooms, as we had seen in the Vanderbilt Suite, was typical of the time, or merely the product of Vanderbilt’s elevated design aesthetic. No longer:

window-before

Here’s the window seat before. Note the rather frilly drapes, and the striped wall paper. Two Morris chairs, similar to those coming to the FDR suite, and again, all those Harvard pillows we see in many of the photos. Heaven knows where we will find or recreate those! And how’s this for bizarre coincidence: the view out the windows reveals Westmorly, and the windows of the FDR suite!

window-after

Now look at this: a much more distinguished arrangement, with a solid, silk like material on the walls, almost identical to what we were guessing for the FDR Suite bedrooms. YES! The name placards, by the way, are another typical element of Harvard student rooms of the period, though generally they are located over the individual’s bedroom door.

hearth before

A view of the hearth before. Note the Meerschaum pipes (present in almost every room photo) and the beer mugs (another ubiquitous student item.)

hearth-after

Here’s the hearth view after: you can tell it’s years later from the medals now hanging from the pictures: these are club and sports member medallions, and Dave’s family still has many of them, as well as the picture of dear old John the Orangeman, just visible on the mantle behind the mugs to right.

door-before

The doors to the bedrooms before: the curtains over the doorways appear in many of the room pictures of the period, and seem very odd to modern eyes. Most bookcases had curtains as well, as shown in the picture two above this one – to keep out coal and wood dust from the fires.

door-after

The door view after: a much more civilized arrangement than the ad hoc day bed previously. Note the Crimsons hanging from a hook on the wall. In general, it’s surprising how much the decor has matured over the interval. One (or both) of these gentlemen had a very good eye!

All in all, these six pictures provide a wealth of invaluable leads as to what kind of items we’ll need to acquire for the Suite, and as well as confirming both our reproduction of the printed study paper, and use of solid silks elsewhere. They also remind us what we often forget: the past is not static, locked at a single point and place the way we tend to view it from photos. It changed and moved, just like the present. Something to keep in mind when re-creaeting a set of rooms occupied for four years by two men of maturing times and taste…

We are all hugely grateful to Dave Robinson and his family for sharing this amazing time capsule with us, and I look forward to sharing more of it with you, our readers, over the next month.